The Growth of Disney Animation

S at a time White is as compelling today as when it was released 50 long time ago. later on Snow White came Pinocchio and Fantasia (1940).

Disney's Fantasia is a two-hour concert feature, which took three years and $2.2 million (when the average feature moving-picture show cost a mere $400,000) to complete. It was the combined brainchild of Walt Disney and famed conductor Leopold Stokowski. A team of Disney animators was unleashed to join its wildest imaginings to the compositions of Beethoven, Tchaikovsky, Stravinsky and Bach. The euphony was interpreted by Leopold Stokowski, conducting the Philadelphia Orchestra, and save in the "Fanta run short" process, an early stereophonic system developed by Disney in conjunction with RCA. Artistically, it was the first feature to use music accompanied by animated images--dancing flowers, fairies and gossamer fish--in abstract concert, as well as in place of dialogue to classify a story.

As it happened, Fantasia was never quite the success that its creators had envisioned, and o'er the years it was shortened, the stereophonic Fantasound system was simplified, and the colors faded. The current redevelopment took two years to complete. For the first time since 1940, every wander of the original negative has been polished and the sound track is a restored version of the score as conducted by Stokowski. Fantasia's reappearance in 1990 was warmly received, grossing more than any other Disney animated

Eller, Claudie. "Unitail Breaks B.O. Record." Hollywood Reporter, 12 March 1987, 8.

People select been captivated with the art and imagination associated with animation. Since the beginning, the growth of animation has been tremendous, from sound and color to the interaction of cartoon and real-life characters. The Walt Disney companies have been leaders in technical innovation and the exploration of fresh ideas. Clearly, the achievements in bypast Disney icons can be credited to the splendor of animation today.

Rosen, Marjorie and Cunneff, Tom. "As His Fantasia Creatures Charm Moviegoers Again, Ollie Johnston Draws On His Memories of Disney." People, 29 October 1990, 107-10.

There is a now a second film company called "Touchstone" for the boastful audience.

With its animation film, Who Framed Roger Rabbit? (1988), the Walt Disney Company continued its success. This film was produced by Steven Spielberg's Amblin Entertainment and the Walt Disney Company. Like Cinderella, Roger Rabbit started a way in animation. The characters needed experimentation, including more concentration on moulding observation. This time, the emphasis was on lighting and shadows and having the cartoon characters interact with real-life actors. The 1964 film Mary Poppins also included interaction. However, combining the two for an completed film was a venture into the unknown.

The director, Robert Zemeckis, insisted that his film would require at least 12 hand-drawn frames per second, which would make the quality similar to that Walt Disney had demanded in Snow White. Each minute of film would take a team of 20 animators about a week to do. Lucasfilm's industrial Light and Magic created the special effects and handled the cartoon character's shadows. legion(predicate) of the interior sets were built on 10-foot high platforms, to enable as many as 15 puppeteers to work underneath, using robotic weaponry and wires to manipulate props. With their help, pistols, trays loaded with drink
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