Editing Elements that Contribute to the Effect of American Beauty Film

According to Louis Giannetti, the angle from which a subject is photographed has an impact on how the image reads and on how the lulu reacts or responds to the image. In this select, the director and editor used a number of techniques to ensure that their point of view would be conv pumpd to the ear chap and that the illusion of Lester Burnham's and other characters inner emotions will be try outed.

Realism, as set forth by Carl Plantinga (1), must be complemented by formalism. The film depicts a realness in broad shots that is perfect from the colourize of Carolyn's gardening sheers and matching shoes to the silk on her couch and the formality of her dining room. By using different camera angels described by Giannetti, the film variously enhances or reduces the film's significance (De Concini, 2). For example, eye-level shots atomic number 18 designed to suggest parity surrounded by the viewer and the subject. When Lester and Carolyn package an extremely rare intimate moment on their reinforcement room couch, they are filmed at eye level, two with respect to the camera and one another. This is one of the few moments in the film when this unhappily married couple experience parity.

towering angel shots reduce the significance of the subject, suggesting vulnerability. There are exalted angle shots throughout the film. When Lester is confronted by his supervisor, he is shot from above, indicating that he is in a vulner

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The distance of a camera from a subject changes our perspectives as well. When Carolyn is filmed from a distance in the shell she showed to potential buyers, we see her from something of a distance at the end of an unsuccessful open house. She is minimized in this manner, retreating into the home and away from the accomplishment of her dreams.

In a similar manner, the four-year-old boy living next door named Ricky, views the entire world through the lens of a video camera. Whether he films his subject, Lester's young daughter, at eye level or from an angle of alter heights matters less than the fact that he has interposed the camera between himself and herself.

able position. When Lester strikes back against his supervisor, he is shot first, at eye level, and then, at a higher angle than his antagonist, suggesting that the vulnerability that he once felt has disappeared and has been transferred to the supervisor. Similarly, when Lester attends a high school coarse-grained and sees Angela on the gym floor in her cheerleader outfit, he is shot at a low angle and she is shot initially from a high angle. This introduces Angela's sexual vulnerability and Lester's potential bureau over a young female.

Further, the pace of the film helps to establish its overall impact. Toward the very end as events come to a climax, the pace picks up after having been at times sorely
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