Tibor Kalman's Life Experience as a Designer

His youth protected him from the impairment of the reality of the situation, yet it also filled him with adventure and eagerness to escape from somewhere. This sense of adventure and being exposed to diametric worlds might have been why Kalman came to work for companies that were known for comprehend diversity through design, like the Benetton-sponsored Colors, where Kalman "communicated through bold lifelike design, typography, and juxtaposition of photographs and doctored images like the Pope and Queen Elizabeth depicted as racial minorities" (Tibor 1). It is likely that his early experiences filled him with appreciation for the predicament of oppressed peoples.

The work Kalman did for M&Co led to careers for many a(prenominal) designers maked by his work. Women like Stefan Sagmeister, Stephen Doyle and Emily Oberman go on in the vein of Kalman's bold and radical designs after release M&Co.

It is possible that the radical view adopted by Kalman in his bold designs and the fact that his images work toward advancing cordial justice are influences that stem from his experiences in the radical sixties and 1970s. As he tells us, "I got to college in 1968. What luck! I got to participate in the radical student movement" (Farrelly 8). This influence is visible in the theme and radical nature of many of Kalman's designs.

Finally, we see Kalman believes he is lucky because he lived through diametric historical contexts that ultimately
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