The two women ar treated as their husbands hold back outside, matchless being patient and the other desirous and more gratifyed in being whatsoeverwhere else to vanquish back to his business. The wives are seeking to understand their own anxieties, season the husbands are part of the cause. Miller connects these two couples to an image of the American Dream, with Frick living that dream in a way that is hollow, man Hamilton has failed to achieve the dream and so is thought less of by his married woman and others. The American dream is something often presented in fabrication as a distortion and an illusion, as something individuals strive for all in the wrong fashion or in a futile attempt to gain something withheld from them. Both dynamics are evident in this play.
If economic success were the only criterion, Mr. Frick mightiness be the poster boy for the American Dream. In a different sense entirely, Leroy Hamilton might qualify. He is descended from Alexander Hamilton, one of the key theorists who created this country, and this gives Leroy the imprimatur of being a true American. Leroy is, in fact, the last northern of the title, the last in a yen line of Hamiltons stretching from the beginning of this nation to this moment in time. Arthur Miller writes about his own intentions in this play in an afterward for the published editi
The main thing I sought in The Last Yankee was to make real my sense of the life of such(prenominal) people, the manikin of man swinging a hammer through a lifetime, the kind of woman waiting forever for her ship to conform to in. And second, my receive of their present confusion and, if you will, decay and possible recovery. They are bedrock, aspiring not to greatness but to other gratifications--successful parenthood, mighty children and a decent house and a decent gondola and an occasional nice evening with family or friends, and above all, of course, some financial security (Miller 92).
Miller, Arthur. The Last Yankee. New York: Penguin, 1994.
I just can't figure it out. There's no bills; we're very well fixed; she's got a beautiful home. . .
. There's really not a trouble in the world (Miller 12-13).
Frick sees the fact that Leroy is a descendant of Alexander Hamilton as ironic, while he is the one who is successful and has no such ancestry. This in fact gives Frick all the more reason to view himself as a self-made man and so as a superior man.
Whatever deal I was in, couldn't wait till I got home to talk about it. material estate, stock market, forever and a day interested. All of a sudden, no interest whatsoever (Miller 14).
Leroy Hamilton thinks he is much more aware of his wife and her problems, though he can do nothing more about them than can Frick. Leroy has given up on the American Dream that would have energized his ancestor and that gives a form of elbow room to Frick. Instead, Leroy is content to get by and to be himself, though his wife is not happy about this at all. He withal is aware of the irony inherent in his family background, but he is no more able to understand his wife or what is happening to her and why she has been to the hospital so many multiplication:
Frick is the sort of businessman who admires money but has no note for all the little people whose work makes it possible. He is always ready to criticize the ambitions of oth
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