Life Story of Elie Wiesel

After the holocaust, he was brought to Paris, where he lived and flexed as a writer and a Journalist. He has genuine humankindkindy honors for his work as a writer, including the Jewish inheritance Award and the Prix Rivarol. Besides his fiction, he has published a nonfictional prose work dealing with Soviet Jewry entitled The Jews of Silence. For the purposes of this in-depth study, the following novels get out be discussed: Night (1960), Dawn (1961), The Accident (1962), The Town beyond the Wall (1964), and The Gates of the Forest (1966). Wiesel has also served as president of the United States Holocaust Memorial Council Conference, and has been an American citizen for several years. He is hailed as an extraordinary, gifted writer, one whose works have mythic overtones and a haunting and persistent vision.

Wiesel has said of his own work that it is a series of tales which attempt to be all-encompassing, which work on all levels.

It tries to show what cannot be shown (the holocaust), to explain what is not explained (the burthen of history on dreams and dreamers), to recapture an brave out that cannot be relived.

His novels be not precisely fiction, nor are they really autobiography, not poetry, precisely not prose: they are all of these. They detail a unearthly search different than any we have yet to experience with a detail and a starkness which makes us happen as if we have lived through the adventure ourselves. Wiesel's stark diction transcends and absorbs the

Wiesel's work here is strikingly modern, and yet it reflects an ancient wisdom as well. As in the book of hypothecate, mankind is reminded that he is of a kind, and that he mustiness gather around himself the members of his race in community. In Job 24, Job recounts a parable of the poor who suffer, but suffer together. It is the poor, he exclaims, who will ultimately be exalted. Although evil workforce appear to rise in power, they will be " bygone and brought low." Wiesel's legend suggests, almost playfully, that something has gone terribly awry, and that it is not for us to under plump for. The Town Beyond the Wall marks a charge not so much in theory, but in the exemplification of that theory.

The sufferer in Night can alone passively assert his faith in the facial expression of an wound so deep and so pervasive that he is lost against it. The narrator of Town has taken a more agile role in his spiritual search, and has been rewarded with a gleam of the different side of life. Michael is full of hope: he knows that there is a battle to fight, but he also believes that it will be won. The hope manifests itself in genuine human contact, and in the refusal to face suffering with indifference. "To be indifferent--for what ever reason--is to track not alone the validity of existence, but also its beauty. Betray, and you are a man; torture your neighbor, you're still a man. Evil is human, weakness is human; indifference is not" (Wiesel, The Town Beyond the Walls, 1964, p. 177). To flee to a sort of numbed existence in an effort to escape from the put out of living and the difficulty of not understanding its purpose is to deny life itself. To ask the question "What is God?" is a business firm of strength and humanity. Man must feel, must risk, and must live his destiny. He must never stop asking questions, and must ask the great questions again and again with others. "If two questions stand face to face, that's at least something. It's at least a victory" (Wiesel, The Town Beyond the Walls, 1964,
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